Palestine

Felestine square in Tehran and its monument have been the central stage for governmental demonstrations against Israel for years. Through investigation of the stories around the monument's creation and the relations between Iran and Palestine, Khosravi Noori looks into the question of how one can show meaningful solidarity with Palestine without falling for the propaganda of another regime.
What distinguishes Ahlam Shibli's photographs from the plathora of visual representations of Palestine is that she abstain from dramatisation in her form as well as content. Shibli's images detail the impact of Israeli occupation on Palestinian lands. She approaches representation of victims with caution so that her work can go beyond sensational reactionism and instead serve as a level-headed critique of oppression.
Sama Emad is a young Palestinian artist from Gaza. In “The Genocide Kitchen”, she uses collage to document and archive the experiences of the Gazan people, focusing on their relationship with food and the scorched land during forced displacement and the use of starvation as a tool of genocidal warfare.
In Transportations, Peter Lagerqvist tells the story of Palestinians who challenge the everyday realities of occupation and the restrictions on movement in the occupied lands in a peculiar manner. Through his narrative, he provides an anthropological analysis of the auto theft and joy-riding in Palestine.